changeover cues造句

• The second mark, known as the "'changeover cue "', is placed about 1 second before the end.
• Film prints could be prepped by a projectionist with automatic changeover cues, which were small metallic appliqu閟 which could be applied to a print at the first cue mark.
• Seven seconds later the end of the leader and start of program material on the new reel should just reach the gate of the projector when the changeover cue is seen.
• In the case of this title, the Criterion DVD has the motor and changeover cues erased, with the exception of a few reels in which these cues are still intact.
• Conventional release prints, which are made from timed internegatives, usually contain black motor and changeover cue marks as the printing internegatives are " punched " and " inked " for this specific purpose.
• According to SMPTE-301 ( Theatre Projection Leader ), there shall be 4 frames of motor cue, followed by 172 frames of picture, followed by 4 frames of changeover cue, followed by 18 frames of picture.
• According to SMPTE-55 ( SMPTE Universal leader ), there shall be 4 frames of motor cue, followed by 168 frames of picture, followed by 4 frames of changeover cue, followed by 24 frames of picture.
• After another ten and a half feet ( 3.2 m ) of film is shown ( seven seconds at 24 frames / sec ), the changeover cue should appear, which signals the projectionist to actually make the changeover.
• The second mark ( changeover cue ) would alert the projectionist that the changeover was imminent, and one full second after the mark he would trigger a solenoid that would open the incoming projector and another solenoid that would close the outgoing projector.
• Showprints, being made from the composited camera negatives, which are never " punched " or " inked ", have white motor and changeover cue marks as these marks are punched ( or scribed ) directly on the prints by hand, in the lab.
• That puts the motor cue at frames 198 & ndash; 195 from the end of the picture section of the reel ( 12.34 to 12.15 feet; or 12-foot-6-frames through 12-foot-3-frames ), and the changeover cue at frames 21 & ndash; 19 from the end ( 1.31 to 1.18 feet; or 1-foot-5-frames through 1-foot-3-frames ).
• That puts the motor cue at frames 200 & ndash; 197 ( 12.47 to 12.28 feet; or 12-foot-8-frames to 12-foot-5-frames ) from the end of the picture section of the reel, and the changeover cue at frames 28 & ndash; 25 ( 1.75 to 1.56 feet; or 1-foot-12-frames to 1-foot-9-frames ) from the end.